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One final though on the topic of Zuni Fetishes… The artist’s styles are as unique as the artists themselves, and there are many whose works are highly sought after by collectors. Some collectors prefer a figure that is more realistic … Continue reading →

On the subject of feeding, tradition tells us that the fetishes require a meal of cornmeal and ground turquoise periodically. Also, tradition says that Zuni fetishes should be kept in a clay pot, although today most people keep their fetishes somewhere where … Continue reading →

Continuing on the topic of Zuni Fetishes… Each animal is believed to have inherent powers or qualities that may aid the holder. The Navajo, for example, treasured and bartered for figures of horses, sheep, cattle or goats to protect their … Continue reading →

The materials used by carvers were typically indigenous to their home region.   However, as trade became popular among various tribes, and even across country boarders (what we consider to be country boarders today) the carvers would trade for materials not available in … Continue reading →

Today I thought I would give a little information on Zuni fetishes. I first thought about diving right in and talking about the Buffalo and its importance in carvings and fetishes, but I think it best to first give some … Continue reading →

The third technique, needle point, requires the highest level of skill to achieve success. Like the other Zuni jewlery techniques, petit point and snake eye, needle point has been made possible by finer tools that allow for extremely delicate stone … Continue reading →

The snake eye technique found in Zuni jewlery requires the same level of stonework skill as petit point, but creates a cabochon that resembles a sphere, or dot; thus looking like the eyes of a snake when finished. Typically an … Continue reading →

The petit point technique creates a small cabochon with one end rounded and the opposite end carved and polished to a point. It could be described as looking like a tear drop. The finely crafted cabochon is then placed in … Continue reading →

Silver work began to be seen in Native American turquoise jewelry during the mid 1800’s. It was introduced by artists from Mexico, as well as neighboring tribes who had taught themselves and shared their skills. The tools used during this … Continue reading →

Over the next few posts, I’d like to share some information about the differences in three very popular Zuni jewelry techniques which are often confused; petit point, snake eye, and needlepoint. These three stone setting techniques offer exquisite detail in a … Continue reading →